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“Michael Gross is an acclaimed cultural journalist and an incisive, skilled, gossip-driven chronicler of the fashion and society worlds,” writes Raymond Dowd in the New York Law Journal [subscription-only]. “He is fearlessly able to breach walls of secrecy and to nail down a story where no one wants to talk. As we move through the breathless behind-the-scenes narrative, we see the Met as we now know it take shape. Battles are fought over naming galleries, restrictions on donations are ignored by the latest generation of trustees, and the new donor holding the next great treasure is courted assiduously by an institution driven with a lust for acquisition that may have no rival in human history. Rogues’ Gallery sheds light on just why the Met does not want light to shine behind the scenes. It is a compelling portrait of New York as we know it. Peopled with outsized egos, often with doctored credentials, amassing wealth and treasures in strange and sometimes criminal ways, the Met is a quintessentially New York institution.”